- 2 Selectable Frequencies Let's You Fly Up To 2 Helicopters At Once
- Full 3 channels: up, down, left, right, forward, and backward
- The transmitter has an alignment trim, a charging and power indicator, a left/right lever and trimmer
- Suitable for indoor flying only
- Flight range is approximately 30'
The brand new GYRO S107 3.5CH Mini RTF RC Helicopter comes with the greatest advancement in Helicopter Technology, a Gyro. No more crashing, no more replacing parts, the GYRO has changed the Helicopter industry completely, making this RC Helicopter super easy to fly and maneuver. Great for people of all skill levels, this bad boy features a coaxial rotor a single rear rotor for precise movement and a GYRO for increased stability whether flying or hovering. This RC helicopter has a metal body making it strong yet light weight so you don't have to worry about breaking anything when you land it a bit too rough. It can go forward, backward, up, down, left, right and hover. What really makes the Mini GYRO S107 stand out is the built in gyroscope making it automatically stabilize allowing you to focus on flying instead of trying not to make it crash. This product is ready to run, there is no assembly required. Just put in 6 AA batteries into the transmitter/charger and charge the h elicopter and you are good to go. Small enough to fit on the palm of your hand, be the coolest kid on the block by getting the GYRO S107 3.5CH Mini RTF RC Helicopter!

List Price: $ 129.99
Price: $ 21.99 
Over time and across cultures, extraordinary manipulations of the body have occurred in a continuing evolution of the concept of beauty. Fashion can be seen as the practice of some of the most extreme strategies to conform to shifting concepts of the physical ideal. Various zones of the body--the neck, the shoulders, the bust, the waist, the hips, and the feet--have been constricted, padded, truncated, or extended through subtle visual adjustments of proportion, less subtle prosthesis, and, often, deliberate physical deformation. The book shows that an undeniable if uncanny beauty abides in the bundled cylindricality of a geisha tottering on raised geta or clogs; the tea-tray supporting bustle of an 1880s French visiting dress; the double-door expanse of eighteenth-century panniered court gowns; the bound feet and caged nails of aristocratic Manchu women; the neck-extending chokers of the Masai, of Edwardian beauties, and of John Galliano?s designs for Dior; or the waist supp ression of the sixteenth-century iron corsets and the cinches of early-nineteenth-century dandies. The photographs of fashion are augmented by paintings, prints, and drawings, including caricatures by Gilray, Cruikshank, Daumier, and Vernet.Throughout history, humans have used clothing and accessories to lift, squeeze, frame and pad the body. In
Extreme Beauty: The Body Transformed, Harold Koda deftly weaves anthropology, sociology, art history, and haute couture into a lively survey of shifting notions of the body beautiful. Divided into five sections--Neck and Shoulders, Chest, Waist, Hips, and Feet--the book surveys fashion's literal imprint on the body while tracing the history of clothing styles. The long neck may be the only bodily ideal equally prized by all cultures. Young Padaung women of Burma traditionally wore weighted brass coils that pushed down their collarbones and shoulders, creating the illusion of a remarkably long neck. The wide van Dyke lace coll ar achieved a similar "triangulated" shoulder-line in 17th-century Eu rope. Fashionable women in the 1830s relied on hugely inflated sleeves—-held up with down-filled or wire-ribbed supports—-to create the rounded dropped shoulder then in vogue. In the "Feet" section, Koda, who remains scrupulously nonjudgmental throughout, juxtaposes the miniaturized "Golden Lotus" bound foot of pre-Revolutionary China with the reshaping effect of today's stiletto heels. The platform shoe was another way of encumbering a woman's gait, whether as a way of keeping her at home (away from sexual temptation) or as a means of showing her off (the courtesans of Japan and Renaissance Venice perched on elevated soles). Men's body-altering fashions also get their due, from sculpted codpieces and male waist-binding to a front-padded shirt by Issey Miyake that resembles a baseball catcher's uniform. Koda's discussions of the historical allusions of avant-garde designers like Viktor and Rolf, Olivier Theyskens, and Hussein Chalayan vividly illuminate an often murky asp ect of contemporary couture. Copiously illustrated with works of art and photographs of clothing and undergarments from many eras,
Extreme Beauty packs a wealth of information into a slender volume.
—-Cathy Curtis
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